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When the scene gets its most graphic, however, is when it is forced to take a step away from reality-one would assume to adhere to television standards. In multiple positions! By this point, it is already one of the most realistic depictions of gay sex that has been staged on a television series.
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As they roll around, you see the men as you would if you were in the room. You see their penises there is no clever or artful attempt to disguise them.
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Then the thing you almost never see starts: Two naked men start making out on a bed. Salim starts performing oral sex on the Ifrit, but he wants to kiss on the lips first. The Ifrit undresses Salim, who has tears in his eyes. He drops the towel, the flames in his eyes start flickering intensely, and there it is: a full-frontal shot of his penis. Once in the room, the Ifrit showers and emerges from the bathroom with a towel around his waist. Salim invites the Ifrit back to his hotel. They touch hands and it goes beyond just being sweet. They share an immediate, powerful compassion. If I could grant a wish do you think I would be driving a cab?” “They know nothing about my people here,” the Ifrit says. The two vent to each other about their lives moving from the Middle East to New York. The other thing about an Ifrit: His eyes are burning flames. He can’t get a cab.Ī taxi finally picks him up, and it is driven by an Ifrit (Mousa Kraish)-a supernatural figure in Middle Eastern stories and Islamic lore who is considered to be among the most powerful of jinns. He’s been waiting all day for a meeting with a guy who refuses to see him. The sequence in question occurs during a narrative interlude that introduces Salim (Omad Abtahi), a man from Oman who is in New York City selling tourist trinkets. And, yes, every second of it is important, down to the part where one guy ejaculates flames into the other.
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“We got on the phone and said, our intention was to do a beautiful love scene between two men, and he was like, ‘OK, as long as its not exploitational, and as long as you give me a beautiful cock.“Gay” shows like Queer as Folk, The L Word, and Looking depict gay sex that is actually hot, How to Get Away With Murder features anilingus in primetime, and, now, two Muslim men go at it for four intense, romantic, boner-filled minutes on American Gods. “The fun part was coordinating with Mousa, whose penis was revealed in the third episode, and you’re dealing with two straight guys doing a gay sex scene,” Fuller said. The men - who were concealing their privates in little pouches during the shoot any penises seen mid-coitus are CGIīryan Fuller Reshot American Gods’ Gay Sex Scene Because It Wasn’t Gay Enough ‘American Gods’ Producers and Stars on How A Nudity Gender Equality Mandate Led to So Much Penis - IndieWire’s Turn It On Podcast “We got on the phone and said, our intention was to do a beautiful love scene between two men, and he was like, ‘OK, as long as its not exploitational, and as long as you give me a beautiful cock.’ The funny part was somehow the visual effects guy got it in his head that it’s an 11-inch cock… We sent this 11-inch cock to Mousa with a note – ‘How’s it hanging?’ – expecting him to be like, ‘Jesus Christ!’ But his only response was, ‘It looks good, but should be darker!'” Stay tuned for close to the end of the conversation, when Fuller tells a raucous story about how actor Mousa Kraish, who plays the Arabic god Jinn, wound up with a rather hefty prosthetic penis. Interview with executive producer Bryan Fuller confirming the towel drop involved a prosthetic: The quote about "penis approval" from Out doesn't mean it's real. I couldn't find anywhere in the Out Magazine article stating it's real. Both of them were wearing privacy pouches and used a prosthetic for the reveal.